
- Actors look real;
creditability.
- Basis of comedy is
creditability.
- Better to fail on the creditability.
- Completely creditability.
- Don't lose character in shtick.
It is better to fail on the creditability.
-
Funny is easy. You can play anything funny,
resist that. Make the people creditable.
Laughter is not any measure of success.
- Go for creditability, must
believe they're real people with problems.
- Machine like. By choices: How
is it possible? Doing it because it was written that way. End result must be
creditability. Bring up doubts in character,
will create more suspense. All possibilities for Mystery:
What does she mean, a lot of unanswered questions.
- Make the people creditable.
- Not reality, but
creditability.
- Play out the values. This is
the legitimacy of it, this is the creditability of it.
We are telling a love story.
- Principle is "that its got to be completely
creditable" otherwise it can't work. It's not possible.
What is the story?
- (They are freezing), how well you do that makes it
creditable.
- Basis of comedy is creditability.
People need to belong together.
- Be creditable. Victims; be
of equal size. Don't just play the jokes.
- Don't do shtick. Actor have
to be creditable and fit into the scene.
- Drama and Comedy:
First creditability, even farce.
- Funny and creditable.
- Give up a laugh to be creditable.
- Going to be funny, you first have to be
creditable
.
- Humor in the character go for
believable.
- Make a base of creditability,
then come up with things off the wall.
- Principle: don't go for all laughs, only ones that are important; creditability.
Don't try to make it as funny as possible.
- When a funny interferes with
creditability,
throw funny out.
"In the end, it
can't look like acting."
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