problem
of scene
- Acting today, now. Not 40 years ago, you could shout.
- Always look for "personal reasons" for families:
brother and brother, sister and mother, etc. etc. Don't just quarrel and
shout.
- Audience is moved by the emotion of actor. Nothing to do with volume. Loud in theater
tries to make it dramatic.
- Audience to be moved and frightened,
you can't do that with yelling. Yelling . Yelling
always
makes you ineffectual.
- Can't shout all the time.
- Do not do what you do best, like:
yelling.
- Don't get loud. Affective without being vocal.
- Don't shout and work on audience tolerance.
- Don't shout away in scene.
- Don't start shouting - find other ways.
- Don't yell it has no
validity.
- Don't yell, but use
command.
- Don't yell, it irritates
audience after awhile.
- Final cop out is to yell,
never yell nobody wants to hear that.
- Don't yell, but use
command.
- First thing wrong: for film it enlarges you, don't yell, it isn't dramatic. Never use yelling,
unless you really have to.
- How to work in film. Place your voice
so you don't become bombastic. Yelling doesn't work
in film. Search for the words. React before saying it.
Watching people in behavior.
- Last resort of acting is
yelling, don't.
- Last resource of actor is yelling.
Audience is moved by the emotion of actor. Nothing to do with volume. Loud in theater
tries to make it dramatic.
- Last resort of acting is yelling,
don't. The audience will say he is working too hard, and it hurts the ears anyway. Bully
yells if he has no power. Powerful person, use your power.
- Lay the groundwork from where you are going, don't
yell at start.
- Must take audience into mystery place, better than
yelling.. It's all the unknown. Retain
mystery.
- Never yell
in acting unless it is the only thing.
- No yelling. Just hurts a
lot.
- Principle: Don't shout away
in scene.
- The audience will say he is working too hard and it hurts the
ears anyway. Bully yells if he has no power.
Powerful person use your power.
- What is missing? When your out of your depth you start
yelling. Actor must not yell. Audience becomes immune to the yelling. Only
if totally necessary.
- What makes them dangerous: they don't act
dangerous, no yelling etc. Wrong:
(both didn't have smooth look).
- Yelling to a minimum.
- Don't yell. Last resource
of actor is yelling. Yelling to a minimum. Yelling
is never funny.
- The actors here were busy yelling
the dialogue to be funny. Heighten people, real, with difficulties (real problems).
"In the end, it
can't look like acting."
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